The studio is my place of work. And work is an act of ritual for me. I am devoted to the metaphysical act of making.

I arrange my studio practice around the traditional, often figurative and sublime notions of beauty in painting. My idea is to form a conversation of pictures––working on multiple pieces at once to see how they speak to one another. The arrangement of my studio wall has to do with the content and rhythm of the work as well. I try to think like a sculptor and act like a painter. I'm after a set of circumstances that figures, objects and environments can vibrate against.

Nature is important in the work as well. It grounds the paintings, creating a hum in the background that will carry a sort-of drama over it. This, what I refer to as the, pedestrian beat elevates the objects and/or text and allows those elements the freedom to take on a phenomenal role in the work. I compose these parts to create a mythology of logic vs. splendor.